GAME ART
"What is real, what is artificial? The border between the two is beginning to fade. In the visual language of the advertising industry, the border between real photography and digitally calculated models is almost indistinguishable. This also applies to the film industry, where CGI (computer generated imagery) seamlessly blends
ART GAME
I wonder why it's titled "The" Franz Kafka Videogame as opposed to Franz Kafka: The Videogame. And no, it's not by Pippin Barr. LINK: Denis Galani
GAME ART
Arcana or Finding Context is a fascinating attempt to contextualize, map, and identify the relationship between different spaces of play. Eron Rauch is a masterful cartographer of the imaginary, a flaneur of the arcana, and an excellent ethno-photographer. Currently based in Los Angeles, Rauch received his M.F.A. in
GAME ART
David Jablonowski, Age of Empires, authorities and properties, 2016 aluminium, LED, screen, acetate sheets. Photo by Gert Jan van RooijBorn in Bochum in 1982, David Jablonowski lives and works in Amsterdam. In his practice, Jablonowski incorporates machines or technology usually used for exchanging information— e.g. scanners, tablets, projectors, printing
GAME ART
GameScenes is conducting a series of interviews with artists, critics, curators, and gallery owners active in the field of Game Art, as part of an ongoing investigation of the social history of this artworld. Our goal is to document and discuss both the origins and evolution of a phenomenon that
GAME ART
Jonathan Vinel, Martin Pleure, 2017, previewJonathan Vinel's latest film, Martin Pleure (Martin cries) was created with Grand Theft Auto V and debuted at the 2017 edition of the Berlin Film Festival. Film screening in Berlin, February 2017 The film, which centers on loss, longing, grief, and the meaning
GAME ART
Kent Sheely's new machinima is a critical examination of the increasing militarization of US police forces. Bodycam was created with SWAT 4. Expect massive doses of police brutality and procedural incompetence: Hit the grandma with the taser! Arrest the prisoners! And more... Recommended/contextual viewing: Craig Atkinson'
GAME ART
Robert Wetzer's Lost Worlds is an ongoing photographic exploration of "natural" video game landscapes such as "lush rainforests, icy mountain ranges, rushing waterfalls and barren deserts." As the artist notes on his website, what "used to be cardboard backdrops" have now become
ART GAME
Cura ted by Isabelle Arvers and Chloé Desmoineaux-comme Des-moineaux, ART GAMES DEMOS is a B4 (before party) entirely dedicated to video art, video games and prototypes as well as performances. It will take place each month in bars, art spaces, book shops, alternative spaces around France. ART GAMES DEMOS is
GAME ART
Jeffrey Moser is a video artist that works with the cinematic image. His videos are inspired by the analog to digital transfer from physical film to virtual representation. His long term project , cinematicfixations.com, is a visual database of film. The goal is to create a complete visual record of
ARCADE
In 1978, experimental director Craig Baldwin (b. 1952 in Oakland, California) made a 16mm film deconstructing the ideology of cowboy masculinity, cultural imperialism, and capitalism. Finally available on YouTube, his 20-minute video collage includes images and sounds culled from various sources, including commercial, TV series and news, films, cartoons, and
ANALOG
Verstärker means amplifier in German. This interactive sculpture design by Olaf Val consist of a PSOne controller, a light bulb, a microcontroller and a pedestal. As Val explains: In the works "Rückkoppler", "Automatic Loop Unit", and "Bubbles", I focused on the development of instruments,