GAME ART
Mark Beasley, Virtual Critique, online performance, 2007 "With Virtual Critique, I recreated the room in second life which I was scheduled to have a critique in, and at that time asked everyone to create a character and follow me to the virtual location. Once we got there, we held
EVENT
GAMES PEOPLE PLAY, image credit: Bartotainment GPP (Russia Edition) exhibtion, discussion, chiptune-party and gaming event May 19 2012, Pushhkinskaja 10, Pushkinskaya 10, St. Petersburg, Russia LINK : Games People Play Submitted by Matteo Bittanti (via Sebastian BARTOTAINMENT Kalitzki)
EMBROIDERY
GameScenes is conducting a series of interviews with artists, critics, curators, and gallery owners operating in the field of Game Art, as part of an ongoing investigation of the social history of this artworld. Our goal is to illustrate the genesis and evolution of a phenomenon that changed how game-
ART GAME
GameScenes is conducting a series of interviews with artists, critics, curators, and gallery owners operating in the field of Game Art, as part of an ongoing investigation of the social history of this fascinating artworld. Our goal is to illustrate the genesis and evolution of a phenomenon that changed the
GAME ART
In 2011, Palle Torsson, a pioneer fa Game Art, released "Free Fall" (2011), a video made with a game modification of Half-Life 2. As Torsson writes in his statement: "We are in a kind of perpetual fall, which dissolves notions of linearity and hierarchy." Interestingly,
ART GAME
Block H Faith Denham, born in Dublin and graduated from Goldsmiths College, University of London, works with photography and interactive media. Currently, she is involved in new media production, teaching, and photographic work. Her research interests include tactile interfaces, post-conflict society, street art, and religious expression. LINK: Faith Denhamrelated
EVENT
blip.Festival 2012 May 25th, 26th, 27th @ The Gramercy Theatre 127 East 23rd Street New York, NY 10010 LINK : blip.Festival Submitted by Matteo Bittanti
GAME ART
GameScenes is conducting a series of interviews with artists, critics, curators, and gallery owners operating in the field of Game Art, as part of an ongoing investigation of the social history of this fascinating artworld. Our goal is to illustrate the genesis and evolution of a phenomenon that changed the
GAME ART
"A series of video portraits shot using a unique but simple technique that transforms a Game Boy Camera into a video camera." (Geraldo Mercado) LINK : Geraldo Mercado related Submitted by Matteo Bittanti
GAME ART
"Visuatari is a work using the technique of 3D videomapping, in order to contrast this latest technology with classic sound and picture to video games, giving honor to that days, where children admired such technology could not fail to see and play in front of that virtual world so
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Giovanni Fredi's Kinshasa vs Akihabara Push startFabio Paris Art GalleryVia Alessandro Monti 13 - 25121 Brescia - Italy Tel. +39 030 3756139 info@fabioparisartgallery.comMay 26th – June 29th, 2012 OPENING May 26th, 6 pm "Fabio Paris Art Gallery is delighted to present Kinshasa vs Akihabara, the first solo show
EVENT
Eric Nakamura writes: "Game Over. Video Game Culture Art Exhibition June 2 - June 27, 2012 Opening reception Saturday June 2th 2012, 6:30-10pm GR2 – 2062 Sawtelle Blvd LA, CA 90025 www.gr2.net 310 445 9276 Giant Robot 2 (GR2) presents: Game Over Video Game Culture Art Exhibition