The compare-and-contrast reality vs simulacra trope is one of the most popular in game photography and The Last of Us Part II does not disappoint. Robert Robinson is remapping Seattle by juxtaposing photographs from the real thing and the game. The result looks, oddly, like an episode of Dark.
Catherine Sarah Young’s Deep Sea Mining Claw Machine from Friday October 10 2025 as part of “Playground of the Invisible” curated by Nōvo Collective venue: Lucky Dip Shop 56/470 Torrens Rd, Kilkenny SA 5009 Australia How can a claw machine illuminate the ethics and logistics of planetary extraction?
Worldglimpsing ArkDes, Skeppsholmen, Exercisplan, Stockholm, Sweden Exercisplan 4, Skeppsholmen, Stockholm 3 October 2025 – 2026 (Stockholm chapter), with the second chapter opening at Nieuwe Instituut, Rotterdam, in 2026. Tuesday–Sunday 10:00–18:00; Tuesday & Friday late opening until 20:00 Programme highlights: Opening: Friday, 3 October 2025, 6–8pm
The Great Adventure of Material World (2019–2020) Curated by Regina Harsanyi September 26, 2025 – March 22, 2026 Museum of the Moving Image, Jane Henson Amphitheater 36-01 35 Ave, Astoria, NY 11106 The Museum of the Moving Image (MoMI) will present The Great Adventure of Material World (2019–2020) by
Heel Turn Curated by Camille Martin Featuring works by Réda Boussella, Zoé Chataignon, and Yannis Mohand Briki 24 September to 13 December 2025 La Maison pop 9bis rue Dombasle 93100 Montreuil, France La Maison pop (Montreuil) opens its 2025–26 season with Heel Turn, an exhibition curated by Camille Martin