“An experimental animation using a game engine to forecast a future where our coastal environments fall into the sand as global warming seeps away the land. Creating digital art is often an exercise in finding new methods for using software." (Jason Nelson)
Beautiful. It reminds me of Sheldon Brown's
Scalable City.LINK:Jason NelsonTell no Friend or Foe apart: Hell Unleashed digital video, color, sound, 6’ 45”, 2025, Iran/Greece created by Babak Ahteshamipour VRAL World premiere This work is presented in collaboration with Octobre Numérique-Faire Monde festival in Arles, France Tell no Friend or Foe apart: Hell Unleashed (2025) is a machinima
Catherine Sarah Young’s Deep Sea Mining Claw Machine from Friday October 10 2025 as part of “Playground of the Invisible” curated by Nōvo Collective venue: Lucky Dip Shop 56/470 Torrens Rd, Kilkenny SA 5009 Australia How can a claw machine illuminate the ethics and logistics of planetary extraction?
Worldglimpsing ArkDes, Skeppsholmen, Exercisplan, Stockholm, Sweden Exercisplan 4, Skeppsholmen, Stockholm 3 October 2025 – 2026 (Stockholm chapter), with the second chapter opening at Nieuwe Instituut, Rotterdam, in 2026. Tuesday–Sunday 10:00–18:00; Tuesday & Friday late opening until 20:00 Programme highlights: Opening: Friday, 3 October 2025, 6–8pm
The Great Adventure of Material World (2019–2020) Curated by Regina Harsanyi September 26, 2025 – March 22, 2026 Museum of the Moving Image, Jane Henson Amphitheater 36-01 35 Ave, Astoria, NY 11106 The Museum of the Moving Image (MoMI) will present The Great Adventure of Material World (2019–2020) by