Matteo Bittanti is the co-author of GameScenes, art in the Age of Videogames with Domenico Quaranta. This website, which explores game-based artistic production, distributions, and discussion, was introduced in 2005.
ANIMATION
Cory Arcangel “Verticals” installation view at Galerie Thaddeus Ropac, Salzburg, 2019. Courtesy: Galerie Thaddaeus Ropac, London · Paris · Salzburg. Photo: Ulrich Ghezzi. © Cory Arcangel Cory Arcangel's DUNK (2017) is a laser animation that depicts the motions of a stylised basketball player from an NBA video game throwing a ball
3D ANIMATION
The first Tripplesapien, Tlön, is a projection of what the artist regards as the next evolutionary stage of humanity, a being that transcends gender, race, and nationality and exists solely in the the realm of an utopian virtual world. The Tripplesapiens: Pilot, 2018 is the first episode in the
CONCEPTUAL
THE SECOND EDITION OF THE MILAN MACHINIMA FILM FESTIVAL PROMISES UNCANNY VISIONS. The MACHINIMA FILM FESTIVAL returns to Milan on March 15 2019 during the Milano Digital Week. Featuring a selection of artworks created by artists appropriating, repurposing, and remixing commercial video games, the MMF includes short films and experimental
EVENT
JENNA NGMACHINIMA AND THE ALLURE OF EPHEMERALITY: GAMEPLAY, LIVE STREAMS & DIGITAL CULTURE GAME TALK #2 March 13, 2019 Aula 135, IULM 1 Università IULM Via Carlo Bo, 1 20143 Milan Italy In this talk, Jenna Ng will address the explosion of interest in the live streaming of gameplay as
GAME
Jordan Erica Webber writes about old and new trends in the field of game photography. The article's emphasis is on games featuring photographic practices as part of the gameplay, including the upcoming The Bradwell Conspiracy. LINK : Point and shoot: what's next for photography in video games?
ARCHITECTURE
Anders Eklund, Gaming the Real World, 2016 Can games change the world? Today public spaces and entire cities are being designed, planned and played through the medium of games. The result of this “civic gamification” is that city architecture and urban planning is being democratized. Cities have become the ground
EVENT
IS THIS A GAME TO YOU? April 3 2019 British Film Institute BFI Southbank Belvedere Road South Bank London SE1 8XT, UK Curated by Matt Turner/Lost Futures Full program Counter-Charge (Alex Hovet | 2016 | USA |13’) She Puppet (Peggy Ahwesh | 2001 | USA | 15’) Post-Newtonianism (Josh Bricker | 2012 | USA | 6’) Modern
ARCHITECTURE
Photo: United Front Games and Square Enix London Studios, Screenshot from Sleeping Dogs (2012)Hong Kong Architecture in the Videogame Vernacular Hugh Davies in conversation with Marie Foulston, moderated by Ikko YokoyamaMarch 2, 2019 (Saturday)2:00 pm–5:30 pm Function Rooms, 2/F, Hotel Stage 1 Chi Wo
GAME ART
Family Computer: Familiar Interiors A new series of cyanotypes by Ashley Anderson On view in the CCBC Gallery January 29 – March 24, 2019 271 W HANCOCK AVE. ATHENS, GEORGIA 30601 Family Computer: Familiar Interiors showcases a new series of pixelated cyanotypes that pays homage to the intertwining histories of art
ART GAME
JAKE ELLIOTT & TAMAS KEMENCZY HOW TO GET LOST IN A CAVE February 27 2019, 18:00 - 19:00 Aula Seminari Università IULMVia Carlo Bo, 12014 Milano Italy Free and open to the public, Please RVSP The presentation is in English Indie studio Cardboard Computer drew up a simple
CONCEPTUAL
Fcderica Di PietroantonioVACATION SPOT IN GENT (BACK TO ROME) February 14-21 2019RUFA SpaceVia Degli Ausoni, 7Rome ItalyVacation spot in Gent is an attempt to dismantle the perceived safety we experience in our daily lives and a search for meaning in traveling. The project also questions the role of painting and
CFP
Video Game Art Reader, issue 3, Call for Papers OVERCLOCKING This issue proposes overclocking as a foundational metaphor for how games are produced and experienced today, and the temporal compressions and extensions of the many historical lineages that have shaped game art and culture. In the same way that a