Nana Asfour writes about Mark Tribe's photographic series Rare Earth on The New York Times, one of the most interesting game-inspired artworks of 2012. Here's an excerpt:
"The Reality Behind Virtual War Zones" by Nana Asfour (The New York Times)
Submitted by Matteo Bittanti
Tell no Friend or Foe apart: Hell Unleashed digital video, color, sound, 6’ 45”, 2025, Iran/Greece created by Babak Ahteshamipour VRAL World premiere This work is presented in collaboration with Octobre Numérique-Faire Monde festival in Arles, France Tell no Friend or Foe apart: Hell Unleashed (2025) is a machinima
Catherine Sarah Young’s Deep Sea Mining Claw Machine from Friday October 10 2025 as part of “Playground of the Invisible” curated by Nōvo Collective venue: Lucky Dip Shop 56/470 Torrens Rd, Kilkenny SA 5009 Australia How can a claw machine illuminate the ethics and logistics of planetary extraction?
Worldglimpsing ArkDes, Skeppsholmen, Exercisplan, Stockholm, Sweden Exercisplan 4, Skeppsholmen, Stockholm 3 October 2025 – 2026 (Stockholm chapter), with the second chapter opening at Nieuwe Instituut, Rotterdam, in 2026. Tuesday–Sunday 10:00–18:00; Tuesday & Friday late opening until 20:00 Programme highlights: Opening: Friday, 3 October 2025, 6–8pm
The Great Adventure of Material World (2019–2020) Curated by Regina Harsanyi September 26, 2025 – March 22, 2026 Museum of the Moving Image, Jane Henson Amphitheater 36-01 35 Ave, Astoria, NY 11106 The Museum of the Moving Image (MoMI) will present The Great Adventure of Material World (2019–2020) by