GAME ART
New from COLL.EO: the second machinima in the ongoing series, REASONABLE developed with Grand Theft Auto V. The duration is four hours and thirty minutes. Artist statement below: COLL.EO is a collaboration between Colleen Flaherty and Matteo Bittanti established in 2012. COLL.EO currently operates in San Francisco
ART GAME
IN A GAMESCAPE. LANDSCAPE, REALITY, STORYTELLING AND IDENTITY IN VIDEO GAMES An exhibition co-curated by DOI Nobuaki and TANIGUCHI Akihiko December 15, 2018–March 10, 2019, 11:00am–6:00pm NTT InterCommunication Center [ICC] Gallery A Tokyo, Japan OFFICIAL WEBSITE Among other works, video games as a form of contemporary
3D ANIMATION
Theodore Darst & Collin Leitch, All Manner Of Things Shall Be Well, 2018, 2-Channel HD Video, 9.45 minutes, Dimensions Variable All Manner of Things Shall Be Well by Theodore Darst and Collin Leitch is a vertical video framed across two HD televisions about religion's aesthetics and ideology.
GAME ART
Kara Gut's Wayshrines is a video essay about exploration, navigation, and getting lost in virtual worlds, constructed as a video essay/manifesto via split-screens and multiple windows. A fascinating assemblage of appropriated media, screen recordings, and performance in digital environments about the function (and dysfunction) of bodies that
FILM
In 2017, Chinese artist Chen Zhou produced an ambitious live-action/machinima film about teenagers living in Shanghai. To create Life Imitation, the artist scouted real locations that evoked the hyperreal look-and-feel of Grand Theft Auto V, in order to highlight the Baudrillardian aesthetics of the contemporary moment. Life Imitation is
GAME ART
VISIONAREA ART SPACE Martedì 13 novembre, ore 19 A cura di Alberto Dambruoso e Valentino Catricalà Video in Italian. Priceless. LINK : Miltos Manetas
3D ANIMATION
The Convenience Store, 2018, machinima from Grand Theft Auto V in-game editor (PC), voice-over by Jonne Hansson, August Bällgren and Evelina Maria Odette Jönsson, sound design by Agatha Lewandowski, special thanks to Mattis Lindmark and Jon Svensson (HUMlab, Umeå University) In Jonne Hansson's latest machinima, three recently graduated
AR
Vector Festival 2019's Open Call for Submissions is now up!Deadline: February 01, 2019An event organized by 950 Dupont St., Unit 1. Toronto ON M6H 1Z2 CanadaLINK: Vector Festival 2019
GAME ART
COLL.EO, Reasonable_1, machinima, digital, color, 2018, 1’04 A new machinima series from COLL.EO. Below, the artist statement: A selection of headlines from The Guardian (November 1 2018- July 14 2016) COLL.EO is a collaboration between Colleen Flaherty and Matteo Bittanti established in 2012. COLL.EO
GAME ART
A video essay about collecting virtual art in a virtual world by Glasz DeCuir. The documentary focuses on Danish teacher and musician Preber Wolff's impressive collection featuring works by Aelin Quan, Alles Klaar, AM Radio, Amona Savira, Andy Burroughs, Anita Witt, Anley Piers, Asmita Duranjaya, Augusta Mary, Betulla
3D ANIMATION
Named after the late experimental film director Derek Jarman, the Jarman Award celebrates and supports UK-based artists working with moving image and celebrates the spirit of experimentation, imagination and innovation in the works. The 2018 nominees include Larry Achiampong and David Blandy, who made the groundbreaking series Facing Fanon with
GAME ART
Bram Ruiter, Perpetual Spawning, machinima, 2018, 5' 41" Shot in Grand Theft Auto: San Andreas by Bram Ruiter, Perpetual Spawning is "a timelapse in real-time." Sound design and mix by Tom 'Silkersoft' Schley. Born in 1980, Dutch artist Bram Ruiter has been working as