3D ANIMATION
Sato Ryotaro, Dummy Life #11, 2022, Inkjet print, 12.4 ｘ 14.8 cmMACHINE LOVE: Video Game, AI and Contemporary Art February 13 - June 8 2025 Mori Art Museum 6-10-1, 六本木ヒルズ 森タワー 52F, 六本木, JP 106-6150 Curated by Kataoka Mami, Martin Germann, Yahagi Manabu press release With the explosive
3D ANIMATION
Project overview Game engines like Unity and Unreal Engine have transcended their initial confines in video game development, evolving into versatile platforms that now influence a wide array of creative and scientific fields. These powerful tools are not just limited to gaming; they have reshaped Hollywood visual effects, virtual production,
3D ANIMATION
Danielle Brathwaite-Shirley, THE SOUL STATION, 2024. Installation view at Halle am Berghain, Berlin. Commissioned by LAS Art Foundation. Courtesy the artist; LAS Art Foundation. Photo: Alwin Lay Danielle Brathwaite-Shirley THE SOUL STATION July 12–October 13, 2024 Episode I, YOU CAN’T HIDE ANYTHING: July 12–September 8 Episode II,
CRAFT
Marine Beaufils’s La Sentinelle is a needlepoint series initiated in 2022 and completed in February 2024 and a sequel to Absorbed by the Sentinel. It consists of 14 pictures, each measuring 56x46 cm, that meticulously replicate scenes from the 1986 video game The Sentinel by Geoff Crammond. The game
3D ANIMATION
The Alluvials digital video (1920 x 1080), color, sound, 38’ 05”, 2023, United States of America Created by Alice Bucknell The Alluvials is a seven-chapter video work — and video game — that delves into the politics of drought and water scarcity in a near-future Los Angeles. The narrative unfolds through diverse
DANCE
Nina Davies: Glitch Guisers 04:00pm - 07:30pm, Fri 23 Aug 2024 The Photographers' Gallery 16-18 Ramillies St, London W1F 7LW, United Kingdom London's The Photographers Gallery is hosting a free outdoor performance by Nina Davies, titled Glitch Guisers, in the streets of Soho Photography Quarter.
3D ANIMATION
Light Study digital video (1280 x 720), color, sound, 28’ 32”, 2015, Brazil created by Fernando Pereira Gomes In Light Study, a male avatar from Grand Theft Auto V stands unwavering, gazing into the camera for nearly thirty minutes as weather and light conditions shift subtly yet continuously, painting the
3D ANIMATION
Installation View, Ed Fornieles, Inside Out 2, Carlos/Ishikawa, 2024Image © Ed Fornieles, courtesy Carlos/Ishikawa, London. Photographer: Damian GriffithsInstallation View, Ed Fornieles, Inside Out 2, Carlos/Ishikawa, 2024Image © Ed Fornieles, courtesy Carlos/Ishikawa, London. Photographer: Damian Griffiths Recently presented at Carlos/Ishikawa gallery in London between May 23 – July 6,
CARTOGRAPHY
Ádám Varga's oeuvre represents a compelling convergence of video game aesthetics and contemporary art, skillfully navigating the realms of digital image manipulation, appropriation, and transformation. In his 2019 publication 1.5:10, Varga engages in a dialogue between the reproducibility of painting and the formal lexicon of video
3D ANIMATION
FILE 2024: QUBIT AI July 3 - August 25 2024 Centro Cultural FIESP Avenida Paulista, 1313 Em frente a estação Trianon-Masp do Metrô Bela Vista, São Paulo - SP, 01311-200, Brazil In the heart of São Paulo, at the FIESP Cultural Center, the FILE 2024 festival unfurls a groundbreaking intersection
EVENT
IP YUK-YIU'S LEVEL 66 - THE ARCADE PROJECT The Box Freespace West Kowloon Cultural District 18 Museum Drive Kowloon, Hong Kong Ip Yuk-yiu’s latest venture, LEVEL 66 – The Arcade Project, transforms The Box into an immersive theatre experience where the boundaries between gameplay and performance blur seamlessly.
GAME ART
Zhou Yan, Blind Field (video still),2022–2024, interactive video installation, real time, imagecourtesy of the artist and SPURS Gallery Zhou Yan, a Beijing-born artist with an MFA from the School of the Art Institute of Chicago, is renowned for his experimental approach, blending video installations, sculptures, paintings, and interactive