GAME ART - GameScenes (Page 25)

GAME ART

Game Art: Nathan Viniconis' "Kinect Sculptures in Minecraft" (2011)

Nathan Viniconis has developed a Kinect hack that allows him to transform data captured by the Xbox 360's camera into landscapes in Minecraft. link (via Kotaku) related: Placluclu, Zetterstrand, Hodgin Submitted by Matteo Bittanti

ART GAME

Photo: Feng Mengbo's "Long March: Restart" @ MoMa PS1 (New York, 2010-2011)

Feng Mengbo Long March: Restart (Installation shot) Photo: Matthew Septimus (source) link Submitted by Matteo Bittanti

FILM

Game Art: Thomas Kutschker's "Shooting Locations" (2009)

Thomas Kutschker, Shooting Locations, HDCAM; 8:00 min; color, mono, 2010 "Shooting Locations is researching the borderlines between war, playing war, war games and the disappearance of the separation between reality and fiction." (Thomas Kutschker) link: Thomas Kutschker Also highly recommended: Me, Myself and I in the age

GAME ART

Game Art: Yann Bauquesne's "Another Nekropolis" (2011)

Yann Bauquesne's homage to Nekropilis (2002) by Tobias Bernstrup. link: Yann Bauquesne related Submitted by Matteo Bittanti

EVENT

Game Art: Robert Lendrum's "Avatar" (2009-2010)

Robert Lendrum, Avatar, documentation of performance, 2010 "Avatar is a new media and performance-based work where the audience is invited to take complete control of their own performer via a video game remote control device. Live performers are transformed into robotic puppets that respond to their user's

GAME ART

Game Art: Megan England's "Avatar" (2009)

"So what we do is put a character in the game that says, ‘I'm ready for sex,’ all the time, and we ask our female players to be that person.” - Sheri Graner Ray, female video game designer. Avatar plays upon the insecurities of the performer, exposing

ART GAME

Game Art: Tom "nullpointer" Betts' "QQQ (2002) + recent lecture (2010)

Tom Betts, "qqq", quake mod, 2002 (Image source) "‘QQQ’ is an ambitious project, working with cutting edge technology and contemporary gaming culture. The work has developed from a series of game modifications that span the history of computer game development. Ever since the first home computers played

EVENT

Game Art: Lígia Teixeira's "8 Beat Love" (2010)

All images courtesy of the artist "“8 Beat Love” is a short performance by Ivan Franco and Lígia Teixeira, reflecting on the notion of videogame disembodiment, where the gamer is often projected through his/her avatar. This often leads to a sense of will and power that only the

GAME ART

Game Art: vizage's "Prince" (2009)

"Starting with no sword and two lives A part of KLAP! '09 workshop (CZ). How we played Prince of Persia live. Live interactive interpretation of computer game prince of Persia." (vizage) link: vizage Submitted by Matteo Bittanti

GAME ART

Game Art: Christopher Maraffi's "3D Avatar Dance" (2010)

"My Avatar Dance live performance draws inspiration from and gives homage to classic pantomime, vaudeville, and dance movements of the past, while updating their interactivity for the future. The routine includes variations of the Mirror Gag, Rope Pull and Ladder Climb Mime, Breakdancing Battle, and a Juggling Toss. To

EVENT

Game Art: Projekt Ariel's "Playing Shakespeare" (2008)

"Live performance by the German theatre/media arts group "Projekt A.R.I.E.L." (ARTificial Research In Electronical Live) in 2008 toying around on stage with the features of the FarCry SturmMod. Latter provides an environment in which the places and actions described by William Shakespeare

EVENT

Game Art: Recoil's "Fuck You Buddy" (2010)

""F**k You, Buddy" is a visual and dramatic fusion of “game theory” (a mathematical attempt to predict human behaviour) and the dramaturgical development in computer games over the last decade. From the totalitarian collectivism in games like “Lemmings” to the anarchistic individualism in