3D ANIMATION
FILE Call for Entries 2024 – Electronic Language International Festival The FILE Call for Entries 2024 is officially open! This is an extraordinary opportunity for artists and technologists to showcase their innovative and original works at the prestigious Electronic Language International Festival – FILE. FILE 2024 seeks to explore the intersection of
3D ANIMATION
Auriea Harvey, Ox, 2021 © Auriea Harvey Auriea Harvey: My Veins Are the Wires, My Body Is Your Keyboard February 2 - July 7, 2024 Location: Changing Exhibitions Gallery Museum of the Moving Image 36-01 35 Ave, Astoria, New York 11106 press release My Veins Are the Wires, My Body Is
DANCE
4K video, single-channel-projection, color, sound, 16’ 13”, 2016-2017, Germany Created by Stefan Panhans and Andrea Winkler January 5 - 18 2024 Introduced by Matteo Bittanti vral.org Freeroam À Rebours, Mod#I.1 is a 16-minute video work combining experimental film, music video, performance, and contemporary dance which examines the
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Sara Bezovšek and Dorijan Šiško are two young Slovenian artists who often collaborate on multimedia and game-based art projects. Their works demonstrate an interest in internet culture, social media, and exploring relevant socio-political themes through speculative worldbuilding. Sara Bezovšek is a visual artist, active in the fields of new media,
EVENT
Glitch: The Art of Interference December 1 2023 - March 17 2024 Pinakothek der Moderne Barer Str. 40, München, DE 80333 press release Broken smartphone displays, crackling radio broadcasts, frozen images during a video call. Only when there is an interference is our attention directed to the nature of the
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Danielle Brathwaite-Shirley, WE ARE HERE BECAUSE OF THOSE THAT ARE NOT, 2020Digital game displayed on projector; gaming chair; pink lights; and vinyl textCourtesy of the artistDifference Machines: Technology and Identity in Contemporary Art Hours: Oct 13-Dec 16, 2023 Friday 12-7 pm and Saturday 10 am-5 pm Jan 6-27, 2024 Saturday
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Lawrence Lek, NOX, 2023. © Lawrence Lek. Commissioned by LAS Art Foundation. Photo: Andrea RossettiLawrence Lek, NOX October 27, 2023 – January 14, 2024 Kranzler Eck Joachimsthalerstraße 7 10623 Berlin Germany press release LAS Art Foundation presents “NOX: Impulses” as part of the current exhibition Lawrence Lek: NOX. Artist Lawrence Lek’s
ACADEMIC COURSE
press release Title: Ayoung Kim: Synthetic Storyteller Category: Contemporary art, art critic, artist monograph Language: Korean, English Publication Date: January 2024 Pages: softcover, 400 pages, color illustrations, black and white, 112 x 183 mm ISBN: 979-11-985617-0-1 (93600) Publisher: The Floorplan, Seoul Authors: Nanna Heidenreich, Chien-Hung Huang, Jinshil Lee, Ayoung Kim,
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Joshua Richardson, Ontario, Archipelago, 2023. Digital animation.Cinematic and Videogame Architecture MArch The Bartlett School of Architecture University College London, Gower Street, London, WC1E 6BT United Kingdom Applications are now open for the 2024 intake of the Cinematic and Videogame Architecture MArch course at the Bartlett School of Architecture, based
AI
Master’s Degree in Algorithmic and Networked Photography Degre issued by UVic-UCC Directed by Jon Uriarte, Marco De Mutiis ECTS credits: 60 Language: English September – June 2024 ELISAVA La Rambla 30-32 08002 Barcelona Spain The photographic image has been radically transformed by its recent digital and networked developments. The impact
ANIMATION
Yucef Merhi, Where Do We Go, 20233 CRT TVs, Atari 2600 consoles, custom cartridges, Plexiglass furniture31 x 59.5 x 34.5 in. Yucef Merhi's thought-provoking installation Where Do We Go explores notions of physical confinement and mental freedom. The piece features three vintage CRT television sets with
3D ANIMATION
Hey Plastic God please don’t save the Robotic King, Let him drown in Acidic Anesthetic single-channel digital video, color, sound 5’ 33”, 2023, Iran/Greece Created by Babak Ahteshamipour Hey Plastic God please don’t save the Robotic King, Let him drown in Acidic Anesthetic explores the mental disintegration