GAME ART: ISABELLE FRANCES MCGUIRE'S LOOP (2023)

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Isabelle Frances McGuire, Bust2{“Assassins Creed NPC”, “Normandy”, “New United States Flag”}, 2023. detail
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Isabelle Frances McGuire, Bust1{“Elvis”, “Modern WarFare II NVG”}, 2023animatronic Elvis bust, night vision goggles, wood, 66 x 17 x 20 inches, 167.64 x 43.18 x 50.8 cm
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Isabelle Frances McGuire, SelfPortrait2 {“Ghost”}, 2023PLA plastic, fabric, children’s tactical vest, cord, leather boots, metal, children’s knee and elbow pads, 49 x 29 x 24 inches, 124.46 x 73.66 x 60.96 cm

"In LOOP, Isabelle Frances McGuire fabricates icons of video games, television shows, and American popular culture to create a disorienting playground of re-enactments. While re-enactments are typically meant to honor the integrity of the past or reproduce a figure of fact or fiction, McGuire abandons the art of faithful imitation in favor of animatronic chimeras of readymade repetition.

On Level 1, the viewer is greeted by three sculptures sitting on wooden plinths modeled after those used in ballistics testing. Sitting at 5’ 6”, the plinths position the sculptures roughly at eye level with the artist. The viewer first encounters Bust2{“Assassins Creed NPC”, “Normandy”, “New United States Flag”}, a wax model of a non-playable character from the Assassin's Creed video game franchise. Monstrously unblinking, the chain-mail adorned bust stares the viewer down with the eyeballs of a berserk mutant. While static, a motion sensor embedded in the head of the bust triggers a sound bite from Call of Duty: WWII, depicting the Allies landing at Normandy. The muffled chorus of mortar shells and machine gun fire complements the New United States of America (NUSA) flag visible under the chain mail, which is taken from the dystopian future state of the multimedia Cyberpunk franchise. With its back to the assassin, a readymade Elvis Presley animatronic moves with mechanical jerks and gyrations.

Titled Bust1{“Elvis”, “Modern Warfare II NVG”}, the slowly deteriorating bust spits readymade hallmark quotes in an endless cycle of middle-American sentimentality. The ice blue irises of the King of Rock ‘n’ Roll are obfuscated by a fully functional pair of night vision goggles modeled after the in-game equipment of Call of Duty: Modern Warfare II. What should serve as a novelty for gawking onlookers instead renders the viewer an unwilling target of tactical convulsions." (continues) (Max Hart, curator)

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Isabelle Frances McGuire (b. 1994 Austin, Texas) lives and works in Chicago, IL. McGuire received a BFA from School of the Art Institute of Chicago. Recent solo and duo exhibition include LOOP, King’s Leap, NYC (2023); Bailey Connolly & Isabelle Frances McGuire, Scerben, Berlin, Germany (2022); Dedicated to Those Who Continue to Dwell in Lightless Descent, King’s Leap, NYC (2021); Dresses Without Women, Mickey Gallery, Chicago (2020); Snafu, Shitshow, Clusterfuck, Julius Caesar, Chicago (2020); and P**** B**** Arena, Curated by Good Weather held at Et Al., San Francisco (2020). Recent residencies and awards include Saas-Fee Summer Institute of Art (2021), Foundation for Contemporary Arts Grant (2020), Artist Residency, Latitude Chicago (2019) and Alternative Worksite Residency Program (Founded by Linda Burnham and supported by the Robert Overby Estate) (2018).

Images courtesy of the artists and King's Leap Fine Arts, New York. Photos by Stefany Lazar.

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: Isabelle Frances McGuire

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LOOP (April 20 to June 17 2023)

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