Matteo Bittanti is the co-author of GameScenes, art in the Age of Videogames with Domenico Quaranta. This website, which explores game-based artistic production, distributions, and discussion, was introduced in 2005.
3D ANIMATION
KOSSOFF FLEES UKRAINE digital video/machinima (2160 x 1440), color, sound, 31’ 12”, 2022, Northern Ireland Created by Jason Rouse vral.org Machinima, landscape painting, first-person shooters, walking simulators, and photogrammetry. Jason Rouse’s new artwork is a triumph of remediation as it incorporates, repurposes, and transforms a variety of
3D ANIMATION
Erewhon is an online exhibited by Geng Dayou. An online art exhibition that’s literally out of this world, Erewhon was built with Unity. Geng is an artist, curator, writer, and the co-founder of Vrch Studio, an interdisciplinary art, design, and tech collective operating in Shanghai. He was born in
3D ANIMATION
Danielle Brathwaite-Shirley, GET HOME SAFE, 2022 (STILL), interactive video game, dimensions variable Danielle Brathwaite-Shirley GET HOME SAFE May 27 – July 1, 2022 David Kordansky Gallery 5130 W. Edgewood Pl. Los Angeles, CA 90019 Press release David Kordansky Gallery is pleased to present GET HOME SAFE, a solo exhibition of new
3D ANIMATION
SATURDAY MORNING ANIMATION CLUB Curated by Petra Széman in partnership with isthisit? and Off Site ProjectSupported by Arts Council England Saturday June 11, 18, 25 2022Saturday July 2, 9 2022online (registration required) Saturday Morning Animation Club is a terrific screening series taking place over five consecutive Saturday mornings, featuring new
3D ANIMATION
The workshop about the intersection of games and animation is a collaboration of the workgroups AG Animation and AG Games within the German Society for Media Studies (Gesellschaft für Medienwissenschaft (GfM)) and is organized by * Julia Eckel // Ruhr-University Bochum // AG Animation * Christopher Lukmann // FU Berlin // AG Games * Andreas Rauscher // University
EVENT
AU-DELÀ DU DÉSERT FLOU, PLUS AUCUNE SAUVEGARDE N’EST POSSIBLE Digital video/machinima (1920 x 1080), color, sound 43’, 2021, France Created by Elisa Sanchez Introduced by Matteo Bittanti vral.org “I’m tired of playing cowboy” says Elisa Sanchez, referring to her experience with Red Dead Redemption 2. To
3D ANIMATION
Elaine Hoey, A Blind Eye, 2021 GAME UP Open: June 1 - 26 (Preview: 18:00 - 21:00, Thursday June 2) Wednesdays – Fridays 13:00 - 19:0 Saturdays & Sundays June 11:00 - 19:00 Free entrance transmediale studio Gerichtstrasse 35 13347 Berlin Germany This is a
GAME ART
Sam Crane Grand Theft Artaud: Live performance and spectatorship inside online video games May 29 2022, 6 PM Athens Digital Arts Festival (ADAF) FutuRetro Athens, Greece What happens when you try to perform Shakespeare inside Grand Theft Auto Online, a game space notorious for its aggression and gratuitous violence? You
MACHINIMA
We are happy to announce that online platform VRAL is now available through Patreon. Here's the curators' spiel: We are using Patreon to build a community for all appreciators of machinima and game videos situated at the intersection of video art, experimental cinema, contemporary art, and avant-garde
BOOK
The Centre de la photographie GenèvePascal Greco’s PerformanceSchedule: 6:00 p.m.-8:30 p.m. & 9:30 p.m.-11:30 p.m.Discussion with Pascal Greco and Danaé PanchaudSchedule: 9:00 p.m.Centre de la photographie Genève Bac — Bâtiment d’art contemporain 28, rue des
ARCADE
Stephen Thorpe, The Over-soul, Oil on canvas, 60 x 52 in, 2022Stephen Thorpe, Life is Heaven, Oil on canvas, 60 x 52 in, 2022Stephen Thorpe, In Woods and Mountains I Roam, 60 x 52 in, 2022Stephen Thorpe, One Needs Death to be Able to Harvest the Fruit, oil on canvas,
AI
My paws are soft, my bones are heavy digital video (1920 x 1080), color, sound (stereo), 4’ 57”, Germany, 2021 Created by Felix Klee, 2021 vral.org Can an artificial intelligence dream? Apparently, yes. In this oneiric short, it imagines itself as a virtual mountain lion wandering through digital landscapes.