Matteo Bittanti is the co-author of GameScenes, art in the Age of Videogames with Domenico Quaranta. This website, which explores game-based artistic production, distributions, and discussion, was introduced in 2005.
GAME ART
Stefano Spera, War for Oil, oil on canvas, 64 x 50 cm, 2008 Stefano Spera, Grand Theft Auto, oil on canvas, 100 x 120 cm, 2009 Stefano Spera, Joystic Nation, oil on canvas, 48 x 70 cm, 2009 Stefano Spera, The Symbolic Exchange, 500 x 135, installation, various materials, 2009
GAME ART
"A short video clip of the artist, Marque Cornblatt performing a overtly erotic dance routine prior to a wrestling match within the Smackdown vs. Raw video game on the Xbox 360"(Marque Cornblatt) link: Marque Cornblatt related: interview, fly daddy, xbox 360 self-portraits Submitted by Matteo Bittanti
Digital Print
Images courtesy of Johnathan B of Things to do in LA See Jonathan's fabulous photo gallery of "Multiplayer" @ Gallery 1988 (January 15 - February 4, 2011, Los Angeles, California) here (Things to do in LA) related => Gallery 1988 Submitted by Matteo Bittanti
CONTRIBUTION
"This is a university video-project made by "Game Design"-students from Munich. Done in a single-shot fashion...well almost single shot =) The film covers different eras of the video-game history. Took us a week to organize the various props (controllers, monitors. lighting, camera, etc.
ART GAME
"How old is Super Mario and how long is a life in videogames? Mario Gerosa and Jennifer Grace-Dawson’s paper Chronology and Historicization in Virtual Worlds and Video Games begins with what seems to be an obvious statement: “Time in virtual worlds is not the same as in
GAME
"Student Christopher Wyant used Valve’s FPS as a medium to display an art project for his university degree. In an attempt to create some kind of mad feedback loop that’ll doom the whole galaxy, he set up a server in TF2, displaying custom sprays of ceramic pots.
EVENT
Daniel Danger, Silent Hill, print, 2010 "my print for Gallery1988’s ‘multiplayer’ show is “I’m alone there now, in our special place, waiting for you.”, a tribute to the Silent Hill series. I played the first one a few years after it came out, 2002 perhaps, via a
GAME ART
link: Kristoffer Zetterstrandrelated 1 (Italian) - related 2 (English)Submitted By Matteo Bittanti
GAME ART
"CATCH is a project I put together after a series of disappointing interactions with art. I felt very alienated from high art and was upset by the impression that it was something that was designed to exclude viewers instead of inviting participation. I wanted to make something that was
GAME ART
link: Yann Bauquesne related Submitted by Matteo Bittanti
GAME ART
Francesca Fini, "The Shadow", performance art, interaction design, sounds & graphics, 2010data gloves by Bionica4Dummies (Fini & Trimarchi) ""To be or not to be?" The question is made by remixing the words of Sir Laurence Olivier in his Hamlet. The question is always the same,
PROCEDURAL
"There are a few notable analogues in the literary tradition that reflect or use generative processes in their fiction. Ballard, Aldiss and Murukami all employ dreamlike ‘remixes’ of the world and language in their texts. Solaris by Stanislaw Lem is fascinating in the extent to which the author documents