CALL FOR APPLICATIONS: MASTER IN ALGORITHMIC AND NETWORKED PHOTOGRAPHY

Elisava


Master’s Degree in Algorithmic and Networked Photography

Degre issued by UVic-UCC

Directed by Jon Uriarte, Marco De Mutiis

ECTS credits: 60

Language: English

September – June 2024

ELISAVA

La Rambla 30-32

08002 Barcelona

Spain

The photographic image has been radically transformed by its recent digital and networked developments. The impact and relevance of photography today lies not only in its representational layer, but beyond the visual surface of the image. Its invisible algorithmic and networked properties turned traditional photography into an assemblage of intertwined apparatuses, agents and media. Contemporary forms of digital images capture, circulation and consumption have been redefining the role of the photographic as an expanded and exciting field of visual culture in constant mutation. From AI generated images and computer-generated imagery to screenshotting, from CGI to Photoshop, from VR to in-game photography, practices of image-making and modes of experiencing visual art have created a vast and rich territory, explored by contemporary artists, photographers, curators, researchers, technologists and designers.

The Master in Algorithmic and Networked Images offers an uncompromising investigation into the world of chronically digital images and terminally online visual culture. Through a series of lectures and workshops from some of the most relevant and inspiring actors in the field, this one-year master programme combines a sharply curated scholarly foundation with an intense practical education. Creative, conceptual and critical, the programme provides you with theoretical and practical knowledge of post-photography, AI images, networked images, machine vision and synthetic imaging. It invites participants to reflect upon the social, political and economic implications of different technological imaging systems. Simultaneously, the programme encourages you to experiment and create with hardware and software, as well as appropriating and misusing media platforms through artistic and alternative forms of image-making.
Read more

Read more