Crucifixion and Epiphany
October 2 - October 15
Introduced by Luca Miranda
A follow up to Those Who Do Not Remember The Past Are Condemned To Repeat It (2020) and The Rupture of Promised Land (Or We Can Never Get There) (2020), Crucifixion and Epiphany is a commentary on religious iconography through the lenses of video games and archival materials. Using the format of desktop documentary, Lo disrupts the conventional dichotomies – real vs. simulacral, fiction vs. fantasy – to visually articulate the “downfall of mankind” narrative. Following Kevin B. Lee’s dictum that desktop cinema has cinematic aspirations but operates as a blank canvas, Lo’s screen performance is a captivating and multi-layered visual experience. Crucifixion and Epiphany is a creative (re)mix of multiple sources, a hybrid of machinima, desktop cinema, and archival footage. A study in media res, this work is the outcome of an experimental practice that resembles the vernacular obsession for narrativizing the so-called lore of popular fantasy video games on YouTube and Twitch.
Edwin Lo is an artist and researcher working with sound in various contexts and media such as performance, text, recording, video, installation and video games. Lo received a Master of Arts from the School of Creative Media, City University of Hong Kong. His work was exhibited in several countries, including Hong Kong, United States, Berlin, Tokyo, Shenzhen, Paris, Brazil, Switzerland, Sweden, and Shanghai. His work was presented by the Goethe-Institut and Para/site in Hong Kong, the Tokyo Arts and Space, the Experimental Sound Studio in Chicago, Loop in Barcelona and Meinblau Projektraum in Berlin. His artist residencies include China, Germany, Japan. Lo lives and works in Hong Kong.